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OWAG Track Light #9—> Maria Uve (Spain)

The “Track Light” series serves to briefly introduce a number of individuals involved
with the One World Artist Gallery (OWAG) from their various places around the globe.

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Today, I talk with Spanish illustrator and photographer María Uve.

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John: Hi Maria! I was excited when you first contacted me through Instagram about collaborating on a DrawBag.

María: John! Sorry for the delay in finishing everything.

John: No, no, you weren’t late. Everything is in it’s right time. I’m just happy to have connected with you.

John: I’ve recently made more contact with artists in Spain as there is quite a wealth of talent there. Elena Pancorbo had just finished an original design on a DrawBag before you and I first spoke, and Jesuso Ortiz was also a collaborator early on.  What is the artistic community like where you are in Vigo?

María: Well… the truth is that I live in a part of my country with a very small artistic community. The larger groups of artists in Spain are really in the capital, but thanks to online social networks I have met artists of many nationalities and that has enriched me a lot.

John: The idea of community is continually being redefined in terms of its borders through technology, isn’t it?

María: Yes, and I think we should really support one other instead of competing because if our related community wins… really, we all win.

John: Where did you get your training as an artist and with what different media do you work?

María: I studied illustration, photography, and graphic design at EASD Antonio Faílde (School of Art & Design) in Ourense, Spain and have spent the past year and a half dedicating myself professionally to my profession– illustrating book covers, being exhibited in galleries, publishing my own book, and collaborating with various magazines.

John: Your style is quite recognizable. Were there other artists whose work influenced you in your own development of this style?

María: I think we are all influenced by everything. By other artists for their music, by the cinema, etc… I could not tell you specific names, though, because I try to escape the similarities. 

John: I’ve been really inspired by a handful of female artists who I’ve discovered this past year primarily through Instagram… #zipcy and #littlethunder being two others beside yourself.

Illustration by #zipcy.
Illustration by #littlethunder

 

Illustration by #maria_uve_

You are all quite different in expression, but seem to be similar in that your artwork embraces love, sexuality, the body, and emotional intimacy in ways that are neither prudish nor porn. Your work celebrates a genuine and nuanced eroticism that I think has otherwise been cheapened over time by happy endings to romantic comedies, free streaming porn, and the convenience store of online dating. Truly falling in love with oneself or others is not something we click to purchase, but must engage in with our whole being to experience both its heights and depths. But that’s my perspective, of course, haha. What is it that you are doing when you create your artwork? What are you communicating through it?

María: Obviously, artists expose themselves to having a free interpretation on the part of the receiver and that is inevitable. But yes… I am communicating precisely that which you just expressed: the importance of feeling good about oneself, experiencing love in healthy ways, de-objectifying the body as only a sexual object, making relationship a natural part of our conversation, respecting all kinds of people and all types of relationships, and breaking conventions and traditional values.

Illustration by #maria_uve_

John: There are quite a few symbols and motifs you return to in your work, including what I assume to be the red thread of fate from Chinese folklore, creeping yellow vines, tiny phrases in blue on the body, the serpent, skeletons, and various images of the galaxy.

Can you share a bit about your wider perspective on life and why we are here? Where we are going? And how that is reflected in your current stage of art making?

Illustration by #maria_uve_

María: Well, I wish I knew why we are here! I guess my perspective is as simple as finding happiness and satisfaction within myself, without hurting anyone or anything else.

John: Fair enough. I think a lot of young artists would be very jealous of the 300K followers you currently have on Instagram. How did you gather that global following? Did it take long for people to find your work on Instagram?

María: I think there are no jealous artists. We are all non-conformists. Perhaps we can get too focused on how things are going with others, but I always encourage artists to support one another and help share one another’s work with the world. I think everyone deserves to have the same possibilities for success.

And the truth is that I do not know how all my followers came about… but it was fast. In just over a year I suddenly went from having 150 “friends” to 300,000.

John: There can be fine line between genuine expression of oneself and finding a strong following in that… and then monetizing that expression into a product for sale which loses its original intent. How have you kept your artistic journey genuine and connected to its source?

María: I didn’t monetize my work until recently, when my first book was published. I always have some prints available for sale in case someone wanted them but I never advertised until now, because it has been important to grow my work first.

John: And how many new pieces of work do you make… say, per week?

María: One or two.

John: Tell me more about the book Nosotros which you recently published.

 

María: It’s about self-improvement after failed relationships. At the moment I do not have a version in English… only in Spanish. Everything in time, though.

John: What else fills your life besides from art making?

María: I love animals and nature in general… music, movies, reading, and traveling. Too many things and only one life!

John: You can see more of Maria’s illustration or photography via Instagram or Facebook, follow her on Twitter, or purchase her work here. Her recently published book Nosotros is also available in Spanish. Updates when available in English!

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OWAG Track Light #3—> Jesuso Ortiz (Málaga, Spain)

The “Track Light” series serves to briefly introduce a number of individuals involved
with the One World Artist Gallery (OWAG) from their various places around the globe.

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In this post, I talk with Spanish illustrator and painter Jesuso Ortiz.

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John: So where are you from and where do you call home these days, Jesuso?

Jesuso: I was born in the province of Córdoba, in the south of Spain… although I have been living in Málaga for almost twenty years now. I came to Málaga originally to study, and after finishing my university degree I stayed here for work. The weather and the people here are wonderful!

John: How did you first get into drawing or painting? What were your earliest influences?

Jesuso: I’ve always been interested in art. Since I was very young I liked to draw, and when I was fourteen years old I entered an art school in my hometown. My first artistic influences as a teenager were Monet and the Impressionists. What I liked about them was their use of color and the shape of the brushstrokes. I found their style very delicate and at the same time very free. A bit later my tastes changed, and I was quite inspired by the work of Andy Warhol when I found him.

John: Yeah, I think in your paintings (which I’ll ask you about later) those influences are reflected a bit. Matisse comes to mind for me.

Jesuso: Honestly, over the years I’ve been inspired by many contemporary artists. Nature also inspires me a lot. I think the world hides beauty in every corner; you just have to be awake to find it. 

John: The first illustrations of yours I saw were the ink drawings on top of photographs of flowers or food or other small objects. How did you begin this series? Where did the idea of working this way come from?

Jesuso: The idea of mixing illustration with photography arose spontaneously. One day I just came up with the idea of a picture and a drawing together, and when I posted it, it became very popular among my Instagram followers. So I kept experimenting on that line.

John: They’re very delicate and playful pieces. And you sell these illustrations online?

Jesuso: Yes, on my website.

John: But your painting on the DrawBag is quite different from this. Recently you started sharing more paintings done in this style. Can you tell me more about that style of yours?

jesus ortiz painting 2

Jesuso: Yes, the painting I did on the DrawBag is totally different from the illustration we just spoke of. Actually, I only recently returned to painting in this way, and I thought it would work much better for this project.

I started out as a painter and not as an illustrator. And in my painting, I would experiment with flat and strong colors and the restraint of geometric shapes. The result was quite appealing. I recently created a new Instagram account for my paintings in this style, and I also have an upcoming exhibition.

John: I noticed a bit of writing by Alejandro Jodorowsky on your website’s homepage. I think he’s gained some wider appeal in recent years due to the documentary Jodorowsky’s Dune, which is about his pre-production work on what would have been an earlier film of the famous sci-fi novel by Frank Herbert. Has Jodorowsky been an influence to you as well?

Jesuso: Yes, Jodorowsky is an artist who I deeply admire. I’ve learned a lot listening to him and watching his movies. I like the message of awareness he sends to the world and the ways he transmits that. He uses his art to teach that problems are not outside of us… they are inside everyone.  It’s the way in which you look at the world that determines what happens in your life. It’s not a good idea to blame others for everything negative that happens to us– it’s better to look at oneself and to change this.

John: Do you think that’s a message people are really receptive to these days?

Jesuso: Yes. I think that people are much more open to waking up. Many have already discovered that wealth and material well-being is very good, but it’s not enough to bring real peace to one’s life. When one starts to question many things they have previously believed to be true, it is through this that they can gain new awareness.